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	<title>Broadway After Dark &#187; Memorium</title>
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	<description>Reviews and Articles by Ward Morehouse III</description>
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		<title>Remembering Mike Nichols</title>
		<link>http://www.broadwayafterdark.org/theatre/remembering-mike-nichols/</link>
		<comments>http://www.broadwayafterdark.org/theatre/remembering-mike-nichols/#comments</comments>
		<pubDate>Tue, 25 Nov 2014 04:14:47 +0000</pubDate>
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				<category><![CDATA[Theatre]]></category>
		<category><![CDATA[Memorium]]></category>
		<category><![CDATA[Mike Nichols]]></category>

		<guid isPermaLink="false">http://www.broadwayafterdark.org/?p=337</guid>
		<description><![CDATA[<p>Mike Nichols, who died last week, undoubtedly was one of Broadway&#8217;s and Hollywood&#8217;s very greatest directors. His awards for excellence as a director are numerous: nine Broadway Tonys and Oscars for &#8220;The Graduate&#8221; and others. I felt a distant kinship with Mr. Nichols for two reasons. The first was the original 1963 Broadway production of [&#8230;]</p>
<p>The post <a rel="nofollow" href="http://www.broadwayafterdark.org/theatre/remembering-mike-nichols/">Remembering Mike Nichols</a> appeared first on <a rel="nofollow" href="http://www.broadwayafterdark.org">Broadway After Dark</a>.</p>
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				<content:encoded><![CDATA[<p>Mike Nichols, who died last week, undoubtedly was one of Broadway&#8217;s and Hollywood&#8217;s very greatest directors. His awards for excellence as a director are numerous: nine Broadway Tonys and Oscars for &#8220;The Graduate&#8221; and others. I felt a distant kinship with Mr. Nichols for two reasons. The first was the original 1963 Broadway production of Neil Simon&#8217;s &#8220;Barefoot in the Park,&#8221; which he directed. The comedy, co-starring Elizabeth Ashley and Robert Redford was such a sold-out hit that my late father, drama critic and columnist Ward Morehouse, asked the house manager of the Biltmore Theatre to let his young son sit on a folding chair in one of the aisles.</p>
<p>And I was mesmerized as cascades of laughter erupted continually from the packed house. Subconsciously, at least, this prompted me to follow my father&#8217;s footsteps in writing plays and as well as writing about them for The Christian Science Monitor, New York Post and New York Sun. Over the years, I&#8217;d see Mr. Nichols at the theater. He was always very friendly and once I asked him if he would consider directing a musical I had written with Platinum award-winning songwriter David Romeo. It was called &#8220;A Night at The Plaza&#8221; and I thought Mr. Nichols would take a liking to it in the wake of &#8220;Barefoot in the Park&#8221; which of course is set in New York&#8217;s Plaza Hotel. My my family lived here for 11 years in one stretch and for two weeks a bear cub my father purchased for $35 joined us. And much later I wrote two books about the famed hotel.</p>
<p>Mr. Nichols sent me a hand-written note graciously thanking me for letting him read the musical but saying he wasn&#8217;t directing plays anymore. I cherish his note as I do the many greats moments he gave me and millions of others in the theater and movies.</p>
<p>For a nice sum-up of his career go to the article that appeared in <span style="color: #0000ff;"><a href="http://www.csmonitor.com/USA/Society/2014/1120/Remembering-Mike-Nichols-fearless-director-unparalleled-auteur-video" target="_blank"><span style="color: #0000ff;">The Christian Science Monitor</span></a></span> this week.</p>
<p>The post <a rel="nofollow" href="http://www.broadwayafterdark.org/theatre/remembering-mike-nichols/">Remembering Mike Nichols</a> appeared first on <a rel="nofollow" href="http://www.broadwayafterdark.org">Broadway After Dark</a>.</p>
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